In films like 1900, The Last Emperor, The Spider's Stratagem, and The Sheltering Sky, Bertolucci's lush, even grandiose method of describing cultures, with its eye for tiny oddities and absurdities in the rush of great events even as he is inquiring about the way ideological purity sometimes runs amok, makes him an heir to Brecht, at the same instant florid and incisive. Like Thackeray and Tolstoy, Bertolucci enjoys placing a relatively affectless character at the heart of the madness and the agony of history, in a demand that, while we may experience that history at second-hand, we must understand it for ourselves. Bertolucci is that rarest of cinematic artists: he is both an analyst and a poet. With Besieged, Bertolucci turns his attentions from a cyclorama to a miniature, a story smaller in scale than almost anything he has attempted in the past. Yet, Bertolucci treats this more intimate tale (he called it "a piece of chamber music for the cinema") with the same extravagant visual means and concern with politics that have marked his giant masterworks.
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Released in United States November 1998 (Shown at Thessaloniki International Film Festival (Closing Night) in Greece November 13-22, 1998. ) Released in United States 1999 (Shown at Filmfest DC in Washington, DC April 21 - May 2, 1999. ) Released in United States May 5, 1999 (Shown in New York City (DGA Theater) as part of series "IFP's/Director's Take" May 5, 1999. ) Released in United States March 1999 (Shown at Cleveland International Film Festival (World Tour) March 18-28, 1999. ) Released in United States March 1999 (Shown at Santa Barbara International Film Festival March 4-14, 1999. ) Released in United States February 1999 (Shown at Miami Film Festival (closing night) February 19-28, 1999. )
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But the home met the director's criteria for a spiral staircase, and Bertolucci liked the exterior for its two contrasting facades, one overlooking a narrow street leading to a subway station, the other adjacent to the Spanish Steps. The street scenes in both locations were filmed with a hidden camera, allowing the actors to interact with passersby. Throughout the film, a hand-held camera was used for about half the shots. [2]
The African sequences that open the film and appear occasionally thereafter were shot last, over four days in Naivasha, Kenya, with an aerial shot of Lake Turkana, although no specific African country was identified or implied. After viewing the African footage, Bertolucci re-cut the first half-hour of the adjoining sequences set in Rome. [2]
Reception [ edit]
The aggregator site Rotten Tomatoes gave Besieged a 64% rating among top critics. [4]
Stephen Holden in the New York Times found the film's minimal dialogue a refreshing departure in what he termed the age of television psychobabble.
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